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Back to Baroque - From Caravaggio to Vanvitelli

Naples, February 13 20 010


IW Napoli Luisa Bruni PHF - It 's the event of the year for the Naples art. And we can not miss the club. Led by Roberta Meomartini, we have experienced in the magnificent Museo di Capodimonte a pleasant morning, along the route of the exhibition "Back to Baroque - From Caravaggio to Vanvitelli.
The exhibition is an ideal route beginning with Caravaggio's arrival in Naples, continues with the activities of Francesco Solimena to close with the last experiments of this movement is very broad, looking at the main characteristics of the Neapolitan Baroque.
The exhibition tells the Naples 600, an explosive vitality of Naples, famous throughout Europe, where they operated the likes of Caravaggio, Battistello Caracciolo, Jusepe De Ribera, Aniello Falcone, Bernardo Cavallino, Luca Giordano.
artists who wanted to tell a true Naples, a city since the early seventeenth century marked by contradictions and conflicts continue, and the stage of a multi-faceted mirror of humanity, a mixture of history and myth, an inextricable intertwining of reality and fantasy.
Baroque becomes representation and language. Perfect fifth before which the Neapolitans will stage their lives, their passions, their delusions. Ideal spectators, the many travelers on the Grand Tour, between the seventeenth and early nineteenth century, enter the city of Naples as a must.

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Hands up who has never tried to look inside ..


"Alice was on the mantelpiece as he said so, although he could not explain how it arrived there. And certainly the glass was beginning to fade away, shining like a fog.

The crossed moments later Alice the mirror and jumped nimbly into the back room. The first thing I did was to see if there was a fire in the fireplace, and was so glad to see that there was a real, full of flames, such as the one he had left in the lounge.

"So, here I'll be as warm as in the other room - she said to herself, - more hot, really, because here there will be no one who will make me move away from the fireplace. What a beauty when they see me through the mirror and can not touch me! "

Then he began to look around around, and realized that he could be seen from the old room was ordinary, uninteresting, but everything else was completely different. For example, the portraits on the wall seemed to be alive and the same clock on the mantelpiece (as you understand, in the mirror you could see only the back) had an old man's face and grinned.

"This room is not kept clean like the other" - said Alice to herself, seeing some parts of the board from the ashes of the hearth, but a moment later with a small 'oh' of surprise knelt to look at them. Before his eyes, the parts of the board marching for two .. "

شاه مات !

(shah mat)

L. Carroll, Through the Looking Glass , OscarMondadori Editions, 2010, 145-147.